Cited literature (books)
in the order of appearance in the work:
-- Herbert Hunger et al.: "History of the Text
Transmission of Ancient and Medieval Literature" (1961)
(p. 54) -- Antonio de Guevara: FAKE-novel "The Golden Book
of Marcus Aurelius Severus" which was controlled and
approved by Emperor Charles V (p. 63)
-- Antonio de Guevara published the FAKE-"Family Letters"
of the Emperor in 1539 and 1542 (2 volumes), again "a huge
success" throughout Europe (p. 64) - stylistically
oriented towards FAKE-Cicero, they were pure FANTASY,
addressed to the dead, with "impossible events and dates"
(!) (p. 64)
-- Antonio de Guevara after leaving the court in 1539:
Book "Contempt for the Court and Praise of Simple Rural
Life" with "brilliant rhetoric" (p. 64)
-- Michael Schütz (Greek: Michael Toxita): invents a
"Diary of Marcus Aurelius" (p. 65)
-- Hans Freiherr von Camphausen (ed.) (1991): "Take and
read! Christian Thinkers from Origen to Erasmus of
Rotterdam"; Stuttgart 1991 (p.69, p.276)
-- Book of lies: "And the Bible is right" (book by Keller
with false cross-references) (p.71)
-- Geoffrey Ashe (GB): King Arthur. The discovery of
Avalon (Düsseldorf 1986) with the claim that King Arthur
is "historical" (p.71, p.275)
orig. German names of the books:
-- Herbert Hunger et
al.: "Geschichte der Textüberlieferung der antiken und
mittelalterlichen Literatur" (1961) (S.54)
-- Antonio de Guevara: FAKE-Roman "Das
Goldene Buch von Marcus Aurelius Severus" der Roman
wurde vom Kaiser Karl V. kontrolliert und abgesegnet
(S.63) -
-- Antonio de Guevara gab 1539 und 1542
die FAKE-"Familienbriefe" des Kaisers heraus (2 Bände),
wieder "ein Riesenerfolg" in ganz Europa (S.64) -
stilistisch am FAKE-Cicero orientiert, sie waren reine
FANTASIE, an Tote geschrieben, mit "unmöglichen
Ereignissen und Zeitangaben" (!) (S.64)
-- Antonio de Guevara nach dem
Ausscheiden aus dem Hof 1539: Buch "Verachtung des Hofes
und Lob des einfachen Landlebens" mit "brillanter
Rhetorik" (S.64)
-- Michael Schütz (griech. Michael
Toxita): erfindet ein "Tagebuch von Marc Aurel" (S.65)
-- Hans Freiherr von Camphausen (Hg.)
(1991): "Nimm und lies! Christliche Denker von Origenes
bis Erasmus von Rotterdam"; Stuttgart 1991 (S.69,
S.276)
-- Lügen-Buch: "Und die Bibel hat doch
recht" (Buch von Keller mit falschen Querverbindungen)
(S.71)
-- Geoffrey Ashe (GB): König Arthur. Die
Entdeckung von Avalon (Düsseldorf 1986) mit der
Behauptung, König Arthur sei "historisch" (S.71,S.275)
Forgers' offices
-- many forgers' offices in the region of Constance
(Konstanz) [above all the monastery of Saint Gall] (p.58 -
chapter 4: "A look into the workshop")
-- forgers' monastery of Monte Cassino (p.58 - chapter 4:
"A look into the workshop"
-- forgers' monastery at Corbie in northern France (p.132
- chapter 6: "Fathers of Historiography")
Why did they forge an Antiquity and a Middle Ages? Because
after the fall of Constantinople they wanted to win
against Islam with lies – and for that, they invented 1000
years with the additions before the year numbers “J” - “I”
- “1” installing the FAKE Gregorian calendar, in order to
fit the forged Antiquity and the forged Middle Ages into a
FAKE “calendar.” See the book "The Matrix of Ancient
History" (orig. German: "Die Matrix der Alten Geschichte")
by Christoph Pfister.
Now, we read the data from Uwe Topper:
Chapter 4: A look into the [fakers']
workshop
(orig. German: Blick in die Werkstatt)
Fakers 4.1. Augsburg with Abbot Tritheim
(Trithemius) - Konrad Pickel (Mr. "Celtes") - Konrad
Peutinger
The Fakers' Circle with Jesus Fantasy Abbot Tritheim
(Tritemius) and Konrad Celtes
-- Since 1491 these people INVENTED numerous "historical"
works, but they were often immediately unmasked (p.53)
-- There were poems unmasked from a Mr.
Hunibald
and a Mr.
Berosos as well as the FAKE poems
of a FAKE emperor
Frederick I. (p.53)
-- Topper thinks that the "
legend of St. Alexander"
was also created by
Tritheim and Celtes,
with this work, the FAKE-
Tacitus should be
supported (p.53)
The forger Mr. Tritemius (Johannes Heidenberg -
1462-1516)
--
Tritemius was abbot in Würzburg,
officially promoted the "sciences", but in his
"historical" works he presented "fairy tales and forgeries
without any criticism" (this writes "Meyers' Conversation
Lexicon" ("Meyers Konversationslexikon"), 4th and 6th
edition, 1884-1907 (Leipzig) (p.53,279)
-- Abbot Tritemius also published a "vision about the end
of the world" (p.53)
The forger Mr. Konrad Celtes (Konrad Pickel -
1459-1508)
-- Mr.
Konrad Celtes was a "Latin poet",
had good contacts to Emperors and was a model for many
"contemporaries", was leading a conversation circle
"Sodality circle" (German: "Sodalenkreis"), he traveled
around in the German-speaking area of Europe and as far as
Rome (coordinates: Mainz-Würzburg-Krakow-Danzig-Rome)
(p.53)
-- Celtes was writing an excellent Latin: "His Latin
became exemplary for the Renaissance." (p.53)
-- Celtes was a
great liar and braggart,
had no qualms to recite other people's verses as his own,
a FAKE pioneer, e.g. with a "
road map of the Roman
[FAKE] Empire" which was given later to the
historian
Konrad Peutinger (p.53), it is
still in circulation today as "
Peutinger Board"
("Peutinger Tafel") (p.54, map p.97)

Konrad Celtes: FAKE-Karte vom FAKE-Römischen Reich,
1500ca. - Konrad Peutinger überlassen - "Peutinger
Tafel" (S.97) [kap4 foto1]
Herbert Hunger et al. [et alia=and his
group] with the book "History of the Textual Tradition
of Ancient and Medieval Literature" (1961)*
* orig. German: "Geschichte der Textüberlieferung der
antiken und mittelalterlichen Literatur"
they are describing the "working method" of Mr. Konrad
Celtes:
-- Celtes started in 1497 in Vienna with a
"philo-Germanic historical misrepresentation", a mixture
of real reports, fantasy and misunderstandings (p.54)
-- His student Aventinus copied this way
of working, continued the "Bavarian Chronicle"
which until today (as of 2000) "determines our image of
the Slavs" (p.54)
-- Clumsy forgeries which were immediately recognizable
were "dropped", but forgeries which were only
recognizable by experts remained and are still "gladly
exploited and used as a basis for historical [FAKE]
representations" (p.54)
[The rulers do not want to think and do not want to
learn - but only rule, regardless of whether documents
are wrong or right].
Example: The FAKE
Tacitus has "produced" an
image of the Germanic people, and
Ulrich von Hutten
has written a "lament for the dead" based on it (p.54).
The collector and forger Konrad Peutinger (1465-1547
[web01])
--
Mr. Peutinger was a town clerk in
Augsburg (South Germany), was a
collector of "Roman
antiquities", also traveled to Italy and
brought sculptures, coins and manuscripts to his burgher
house in Augsburg (p.54)
-- He spread the news of his finds "in much noticed
essays" (p.54)
--
Peutinger forged Apuleius: He also had
knowledge of
natural medicine and commented
on a "medical treatise on the healing power of plants"
which was supposed to come from
Apuleius
(p.54)
Peutinger owned, among other things:
-- The FAKE-"Chronicle of Otto von Freisingen", with his
marginal remarks (p.54)
-- The FAKE "Gesta" of FAKE Emperor Frederick I.,
"discovered by Celtes in 1507 in the monastery of Ebrach",
which he published under the name Gunther Ligurinus"
(p.54)
-- the FAKE-"Chronicle of Eberhard of Regensburg" (p.54).
Well, these texts are all "fictitious", but well
integrated into the "view of history" [of grammar schools
and universities] (p.54)
"He also had copies of the Gothic stories of Procopius and
Jornandes, the Lombard history of Warnefried and Paulus
Diakonus, the chronicles of Gregory of Tours and Regino of
Prüm, further texts about the Saxons and Normans (p.54),
all of which are suspicious enough to provoke a bad
reputation for the owner and exploiter of these works."
(p.55)
[In other words: Mr. Peutinger could have invented all
this].
-- The heirs of Konrad Peutinger allegedly could not do
anything with the history collection, but bequeathed [or
sold] the collector's items to the Jesus Fantasy
Jesuits,
including the coin collection of "several 1000 copies".
Since then, however, many pieces of evidence can no longer
be found [probably sold privately] (p.55)
-- Rumors say that a Mr. Celtes "brought the manuscripts
to Vienna" (p.55)
Peutinger with map of Germany by Kusanus
-- Konrad Peutinger published a map of Germany by Nikolaus
Kusanus (p.55)
-- He also published a Greek codex "
Hieroglyphica of
Horapollo" which was printed by an Italian in
Augsburg in 1515 (p.55)
Peutinger and his forgery group
-- Peutinger had a forgery group, one of this circle was
Mr.
Johannes Colerus (p. 55)
-- Another forger of this circle was
Abbot
Tritemius, with whom a dispute arose because
Tritemius's forgeries were "too obvious" (p. 55)
-- They INVENTED authors and INVENTED works for
attributing to them... (p. 55)
-- Peutinger's honesty towards Abbot Tritemius was
answered with an intrigue: Abbot Tritemius manipulated the
criminal Jesus Fantasy Church authorities for not taking
earnest the "discoveries" of Peutinger's and Celtes' [at
least for a certain time?] (p. 55)
Fakers 4.2. The forging methods
(orig. German: Die Fälschungsmethoden)
A. Have a Lexicon: Literary FAKE
Encyclopedia "Suidas" / "Suda" -- B. False Translations
with variations -- C. INVENTED letters -- D. INVENTED
inscriptions
4.2.A) The Literary FAKE Encyclopedia "Suidas" / "Suda"
-- The forgery under the rule of the Vatican knew many
"tricks and tricks" (p.55)
-- The forgers often quote a Greek literary dictionary "
Suidas"
or "
Suda" which was "recognized as having
been written only around 970" (p.55)
-- This FAKE literature encyclopedia contains "numerous
serious deficiencies and errors" (p.55)
-- Topper assumes that this FAKE literature encyclopedia
was the
basis for the INVENTION of all
writings from the FAKE antiquity and the FAKE Middle Ages
(p.55)
-- But the
antiquity and medieval institutes
of the [official] universities recognized this FAKE
encyclopedia as "genuine", as a "document of classicism"
[and so until today (as of 2025) they enjoy beautiful
works in perfect rhymes and endings, which only existed
from about 1200, see linguist
Baldauf
in chapter 1 to 3] (p.55)
-- The research is considering the falsification of the
literary dictionary "
Suidas" of the 10th
century, or the Suidas could have been sold from
Constantinople after 1453 by "Christian" refugees in
Europe (p.55)
Mossad Wikipedia about the term "Suidas": First a
lexographer from Byzantium - then an encyclopedia - and
then a fantasy figure
https:// de.wikipedia.org/ wiki/Suidas
Translation:
"
Suidas (Greek: Σουΐδας Souḯdas) is a legendary
Greek lexicographer who is described as a Byzantine and is
said to have lived in the second half of the 10th century.
For a long time, he was considered the author of the Suda,
the first known alphabetically ordered collection of words
and concepts. Due to its length, the Suda is considered an
outstanding lexical work of the Byzantine period. Since
the 1930s, it has been generally accepted that Suidas is a
fantasy figure. The naming is probably based on a later
confusion with the title of the encyclopaedia."
[The fact that the encyclopedia is also fake is not (yet)
mentioned].
4.2.B) Forgery through false translation (or
arbitrarily reduced or additions)
Topper quote: "The awareness of authorship and copyright
was not yet present."
Topper quote: "One was happy to attribute one's own
thoughts to earlier times in order to give them more
authority."
-- In translations without control, the translator can add
or omit things (p.56)
[-- In Europe, direct cultural exchange with Asia was
limited to trade], but literature was "passed on" in
Spain, where [Jewish translators] accomplished
translations from Arabic into Hebrew and Latin (p.56)
-- Example: A standard work of pharmacy by the Greek
physician
Dioscorides was translated two to
three times before it was readable in Europe, possibly
with changes, omissions, or additional remarks (p.56)
Example Dante: Dante (1265-1321 [web03] - a
FAKE?) barely knew "ancient Latin writers"; later he
probably knew the FAKE authors "Virgil, Ovid, Lucian, and
Horace," but FAKE "Homer" he only had heard the name of
him (p. 55).
Example Pilato: The first professor of
"Greek language" in Western Europe is said to have been a
Leontius Pilatus (Leo Pilatus, Italian
Leonzio Pilato) around 1310-1365 and is said to have
translated the works of the FAKE Homer into Latin [web02].
Topper mentions that Pilato was the first to sell the FAKE
"Iliad" and parts of the FAKE "Odyssey" in Latin in Italy
(pp. 55-56).
The Italian humanist writer
Giovanni Boccaccio
(1313-1375) [p. 56, web04] is said to have evaluated the
translations. Topper describes the translations as
"miserable hackwork" (p. 56).
Translation center Byzantium (it was "Greece") and
after 1453 the translation center was Italy with the
Medici family
-- Around 1420, the "fever" for "Greek FAKE books" began
in Europe: "a generation before the final 'loss' of
Byzantium (1453 to the Ottomans)" (p. 56)
-- Plato's works were also distorted (p. 56)
-- After the Islamic occupation of Byzantium and
Constantinople in 1453, hundreds of Greek "codices" were
shipped to Italy or copies were made (p. 56)
-- In Italy, the Medici family, with
Cosimo de
Medici (1389-1464 [web05]), invested large
sums in the 'building of a library of classical works,
which he purchased from Greek refugees [from Byzantium] -
[to replace Byzantium, therefore: Italy became Byzantium
2.0] (p. 56)
-- Mr.
Cosimo de Medici opened a '
School
for Neoplatonic Philosophy' in Florence with
teachers such as
--
Marcelo Ficino (Marsilio
Ficino, also Marsilius Ficinus, born 1433 in Figline
Valdarno, died 1499 in Florence-Careggi [web06]) and
-- [the Byzantine refugee]
Bessarion
(lat. Basilius, born 1399/1408 in Trebizond in
northeastern Asia Minor; died November 18, 1472 in Ravenna
[web07]) (p.56)
-- Ficino: "was an Italian humanist,
philosopher, translator (especially of Plato and
Plotinus), and he was a medical physician" [web06]
The translator Bessarion in Italy, a refugee from
Byzantium in 1453
--
Bessarion: "was a Byzantine humanist,
theologian, Jesus Fantasy Church politician, diplomat,
speaker, publicist, philosopher, philologist, and
translator. In 1439, he became a Jesus Fantasy
cardinal
and a Latin Jesus Fantasy
patriarch of
Constantinople in exile in 1463" [web07]
-- Bessarion had been the Jesus Fantasy
Archbishop
of Nicaea, converted to [mad stake]
Catholicism after his flight to Italy, held high positions
there, and "had the
richest manuscript collection
of Greek works" (p. 56)
-- And in this way began in Italy [whose upper class had
accepted the 'Christian' refugee upper class of Byzantium]
the spread of Greek FAKE authors as well as the "knowledge
of Plato and his successors" (p. 56)
-- Bessarion translated many works into Latin, possibly
with additions, or in Byzantium something was already
added during the first translation (p. 56)
-- Authors' rights and copyrights were still not known (p.
56)
-- An idea in a work was expanded, embellished in the
sense of the "Hellenic spirit": "It was about the idea,
about philosophy and theology" (p. 56)
-- Topper quote: "The awareness of authorship and
copyright was not yet present."
-- Topper quote: "One liked to attribute one's own
thoughts to earlier times to endow them with authority."
The lost Greek Byzantium was to remain "in spirit" and be
connected with [strict Catholic] "Christianity" [with
stake murders] (p. 56).
[Thesis:
1. The loss of Byzantium against the Mohammed Fantasy
Muslims was the decisive force to invent 1000 years of the
past with FAKE antiquity and FAKE Middle Ages. They wanted
to defeat the Fantasy Islam with their own Fantasy works
2. Bessarion as a "translator" and with so many works
could be a big faker of works].
Translator Marsilio Ficino in Italy
-- Wikipedia of Mossad states: Ficino was primarily a
translator of Plato and established "Platonism." Quote:
"
Marsilio Ficino [...] was an Italian humanist,
philosopher, translator (especially of Plato and
Plotinus), and physician. He is one of the most well-known
figures of Renaissance humanism in Florence. Through his
translations and commentaries, he significantly
contributed to the knowledge of Plato and Platonism in his
era and made it accessible to the Latin-speaking
audience."
-- Ficino translated
Plato, Plotinus, Iamblichus,
etc., in 1496 his
Lucian of Samosata was
published in Florence, a total of "80 works by him are
transmitted, not all genuine" (p. 56)
-- He mixed sources and his own ideas in a colorful caos,
a lot of Greek texts from the fallen Byzantium were
circulating, which were used as a treasure trove without
questioning, without asking about authors or inventors (p.
56)
Topper quote:
"In the end, a source review is practically
impossible. The mentality was to use ancient cities as a
quarry. In this way, also the circulating texts and
fragments were used like a second hand shop for making
news compositions without asking anything who should be
the inventor (p.56) or finder." (p.57)
-- so wurde das FANTASIE-Gebilde einer "grossen
Vergangenheit" immer gigantischer und die ERFINDER wurden
erst
1765 rückwirkend von einem Herrn
Winckelmann "Humanisten" genannt (S.57 -
Herberg Hunger et al. mit dem Buch
"Geschichte der Textüberlieferung der antiken und
mittelalterlichen Literatur" (1961), S.525-526)
[-- wobei der Kolonialismus dann gar nicht "human" vor
sich ging - bzw. der brutale Massenmord und die
Massensklaverei an anderen Kulturen auf anderen
Kontinenten in "Amerika", Afrika und Asien wurde in Europa
mit einer FAKE-Dichterreihe verdeckt und viele Leute in
Europas Oberschicht wollen bis heute (Stand 2025) noch
nicht glauben, dass der Kolonialismus zu 99% Massenmord
und mörderische Sklaverei war, weil sie die "schöne Welt"
der "klassischen FAKE-Dichter" und der "klassischen Musik"
nicht verlassen wollen... (!)]
Summary: Carolingian FANTASY - Papacy from Avignon to
Rome - Byzantine refugees come to Italy - Colonialism
with cover
-- The fantasy began first with a FANTASY INVENTION of the
Carolingians including a chronology of a FAKE
Hrabanus
(780-856 [web08]), without much discussion about place and
time
-- Then, the
Papacy moved from Avignon to Rome
at the end of the 14th century (according to Christoph
Pfister this was in the year of 1409 [web09]), [where the
papal Vatican was founded and the time to build it needed
200 years]
-- In 1453, Byzantium and Constantinople became Muhammad
Fantasy Muslim, the "Christian" Jesus Fantasy refugees
brought the Greek FAKE input with the FAKE Antiquity to
Italy (p.57)
[-- At the same time in the same year of 1453, Granada in
Spain was left by the Berbers so it became Jesus Fantasy
Christian - if there is a direct connection to Byzantium,
can be or not]
[-- From 1492, the papal Vatican divided the world between
Spain and Portugal and established colonialism,
definitively with the
Treaty of Tordesillas in 1494
and "Christian" weapons and pathogens enslaved the masses
of indigenous people for mines and plantations]
-- Thus, the imaginative creation of a 'great past' became
increasingly gigantic, and the inventors were only
retrospectively referred to as '
humanists'
by a certain Mr.
Winckelmann in
1765
(p.57 - Herbert Hunger et al. with the book 'History of
the Text Transmission of Ancient and Medieval Literature'
(1961), pp.525-526)
[-- whereby
colonialism was not at all "humane"
- or rather, the brutal mass murder and mass slavery of
other cultures on different continents in 'America,'
Africa, and Asia was obscured in Europe by a FAKE series
of poets, and many people in Europe's upper class still do
not want to believe (as of 2025) that colonialism was 99%
mass murder and murderous slavery, because they do not
want to leave the 'beautiful world' of the 'classical FAKE
poets' and 'classical music'... (!)]
Topper continues (summary):
Faker Petrarca is forging Cicero, Seneca, and Augustin,
etc.
Petrarch (Italy 1304-1374, one of the
founders of the "humanistic" MASTERS OF LIES [web10]) had
in his program a FAKE
Cicero, a FAKE
Seneca,
and an early "Church Father" FAKE
Augustin.
Of course, all the "manuscripts he used," as well as "his
own copies, have been lost" (p. 57).
These "losses" of manuscripts from the highly revered
"Greek authors" seem UNexplainable.
Topper's quote:
"This repeatedly asserted loss of those books, 'which
enjoyed greater veneration among some humanists than
relics' (according to Hunger, p. 547), lacks any
explanation." (p. 57)
4.2.C) The letters of the MASTERS OF LIES, which
from 1765 were called "humanists" by Winckelmann
-- The "humanists" have left behind heaps of letters,
there are also FANTASY letters to people who supposedly
lived 1400 years ago, or the INVENTORS are communicating
mentally with the FAKE authors, for example, a Petrarch
(1304-1374 [web10]) (p. 57)
--
Machiavelli also writes in 1513 to a
FAKE author of the FAKE ancient times (p. 57 - Hunger:
'History of Text Transmission', p. 539)
-- The expression and spelling are almost the same - in
the sense of "rebirth" ('Renaissance') of a FAKE antiquity
(p. 57)
-- It is about "loving imitation", and in the next step
"empathetic recreation of old texts" (p. 57)
[Conclusion
The "Humanists" also INVENTED correspondence - and
presumably wanted to see Byzantium resurrected as Jesus
Fantasy "Christian". They had a psychological Fantasy
problem...]
4.2.D) "Rescuing" monuments and writings and
"reworking" them in a "Christian" sense
See what was all forged now:
-- Monuments were "rescued" (p. 58)
-- Writings were composed from fragments (p. 58)
-- Oral traditions with everyday, non-"Christian" content
were recorded in writing (p. 58)
-- Very little of the original religions in Europe
remained; putting this down on paper did not bring a great
fame (p. 58)
-- Texts were "reworked" for presenting them acceptable
for Jesus Fantasy "Christianly", e.g. the Romulus
collection of fables (p. 58).
Topper quote:
"The Romulus collection of fables, which was supposedly
written between 350-500 (and probably originated from the
11th century), still had gods, temples and sacrifices in
its first versions." (p. 58)
Fakers 4.3. The peak of the MASTERS OF
LIARS
A. Monastery of Monte Cassino -- B1.
Council of Constance -- B2. Council of Basel -- B3.
further Europe -- B4. INVENTION of the "Antiquity" --
B5. Bobbio (Region of Pisa)
4.3.A) The history inventors from the Jesus Fantasy
monastery of Monte Cassino (between Rome and Naples)
-- The Jesus Fantasy monastery of
Monte Cassino
was a "quite fruitful forgery workshop", where many
important FORGERIES were created (p.58)
-- According to
Giovanni Boccaccio
("Humanist" 1313-1375 [web04]), in the year 1407,
Bruni
[?] and
Poggio ("Humanist" 1380-1459
[web11]) visited the abbey without any "success reports",
but one can assume that they "rediscovered" some things
there (p.58)
--
Poggio was always a copyist, improving
his "own style" with each copy (p.58 - see the book of Mr.
Hunger: "History of Text Transmission" (orig. German:
"Geschichte der Textüberlieferung": p.544)
4.3.B1) The storytellers in Germany: Council of
Constance 1414-1418
-- The vast majority of FAKE authors were composed in
Germany (p.58)
-- The "reform council" with a Fantasy hell took place in
Constance (1414-1418) in a region with many
large "writing rooms," the town of Constance was not
chosen by chance (p.58)
-- For 4 years, the papal center was relocated to
Constance (with
Pope John (Johannes) XXIII.)
along with secretaries, scribes, couriers, including
Bruni
and Poggio (p.58 - Hunger: p.540)
--
Poggio stayed even longer in Central
Europe, traveling [by coach?] through France and as far as
England, where he remained until 1423, collecting "a lot
of manuscripts" that "he had partially ordered
beforehand," copied them, and "did not allow anyone to see
the originals" [or one can assume: they "disappeared"]
(p.58)
-- "Nikolaus Kusanus (Cusanus, deutsch: Nikolaus von Kues
1401-1464 [web13]) „entdeckte“ 16 Komödien des Plautus,
von denen 12 noch völlig unbekannt (S.58) waren" [bzw.
wohl frisch von ihm selber ERFUNDEN waren] (S.59)
4.3.B2) Historiographers in Germany: Council of Basel
1432-1440
-- The
Basel Council 1432-1440 was also
accompanied by many "rediscoveries" (p. 58)
-- Now
Giovanni Aurispa (Italian "humanist"
1376-1459 [web12]) became the great "rediscoverer," "who
also 'rescued' numerous Greek manuscripts from Byzantium"
(p. 58)
Mossad Wikipedia Quote:
"He was particularly distinguished for his efforts to
acquire ancient knowledge by acquiring codices during
several trips to the Byzantine Empire and bringing them to
Italy." [web12]
-- "
Nicholas of Cusa (Cusanus, German:
Nikolaus
von Kues 1401-1464 [web13]) "discovered" 16
comedies of
Plautus, 12 of which were
entirely unknown (p. 58)" [or rather, probably thesse were
fresh inventions by himself - Cusanus=one of the fakers]
(p. 59)
4.3.B3) The inventors of history in other European
countries: King Corvinus in Hungary - Francesco Sassetti
in Italy
[The drive to keep Byzantium spiritually alive led to
unprecedented developments in the criminal Jesus Fantasy
Vatican]:
-- In Hungary, "King
Matthias Corvinus
[...] filled a large library with codices" (p. 59) - (he
was King of Hungary and Croatia from 1458 to 1490 [web14])
-- In France, it was
Francesco Sassetti (an
Italian banker of the Medici Bank 1421-1490 [web15]), who
collected "67 volumes of Latin writers, mostly
'confirmations' of already known or at least predicted
texts," which must have all been INVENTIONS (p. 59)
-- The elite across Europe was in the fever of FAKE
rediscovery of a FAKE antiquity (p. 59)
[and the older an invention was rated, the higher was the
price].
4.3.B4) The first FAKE literary history of FAKE
antiquity: Sicco Polenton
-- In 1437,
Sicco Polenton completed a
first
literary history of the Latins (Latin authors)
in 18 volumes from FAKE antiquity to Petrarch (Petrarca)
(p. 59) (published in Italy 1304-1374, one of the founders
of the "humanistic" MASTER OF LIES [web10])
"He considers Latin literature from antiquity to Petrarch
as a unity." (Hunger, p. 545) (p. 59)
4.3.B5) The history forgers in the Jesus Fantasy
monastery of Bobbio (Region of Pisa, Northern Italy)
-- In the small village of
Bobbio there
exists a Jesus Fantasy "abbey" [web16], "another
famous
site of forgery," where "unknown Latin workds
of grammarians and meterers, among others
Terence
(Terenz)" were "rediscovered"
[with
nice ryme work probably from 12th century] (p.
59)
-- Terence was printed in
Milan in 1497,
and of course, it happened like this: "The manuscript has
since been lost like in many other cases: this is another
evidence that the humanists did not administrate well
their acquisitions as one would expect it from the
enthusiastic describing their finds among friends."
(Hunger, p. 546)
[Playing dumb is one of the traditional lying tactics of
impotent Jesus Fantasy Catholics to gain advantages - I
speak from experience of 9 years in Peru].
"Consider the fact that these 'relics' cost incredibly
high prices, which were mostly paid by princely patrons or
the Curia itself." [So, why should they be lost? Because -
for example - the paper and the ink were from the 14th
century!] (p. 59)
[Paper and ink are the main criteria when assessing the
age of a work].
Fakers 4.4. The forger on Peter's Chair -
Pope Pius II (1405-1464, Pope 1458-1464)
(orig. German: Der Fälscher auf dem Stuhl Petri - Papst
Pius II.)
The basic data from the Mossad Wikipedia:
"
Pius II (born Enea Silvio
Piccolomini,
Latin Aeneas Silvius Piccolomini, also Eneas Sylvius,
etc.; originally:
Enea Silvio Bartolomeo
(de’) Piccolomini (de Senis). [1] *October 18, 1405, in
Corsignano, named Pienza after him, near Siena; † August
14, 1464 in Ancona) was Pope of the Roman Catholic Church
from
1458 to 1464. He was a significant
humanist, writer, historian, poet, and scholar, as well as
a devotee of
Boccaccio." [web17]
The forged application and the forged biography of Pope
Pius II are not "pius" at all
Uwe Topper on the faker pope Pius II:
--
Piccolomini called himself Pope Pius II
from 1458, he was a "typical Renaissance man" who
"ordered" his data, meaning he falsified his resume to
become Pope [a truly "humanistic" achievement] (p. 59).
Topper's quote:
"Presumably, Piccolomini falsified his personal data even
for his contemporaries, so that they would elect him as
Pope."
[The forgery of curriculums is a normal procedure in the
upper class of Freemasonry].
-- Once there was a lecture by
Paul C. Martin
about Pope Pius II on May 23, 1998, in
Leonberg
(near Stuttgart) which one should apparently know (p. 59).
-- Even the birthday is said to be incorrect, because
Piccolomini allegedly had his birthday on August 24, 1405,
but 1) this day had an "unfavorable" planetary
constellation in the horoscopes, and 2) August 24 was
regarded by the FAKE Romans as the rise of the FAKE
spirits of the FAKE "underworld" - and the conclusion
drawn from this, according to FAKE Cicero, was that it was
a day of fear among the general population (p. 59).
"The document [the application?] is preserved to this day
[year 2000] in the Codex Reginensis in the Vatican." (p.
59)
-- Piccolomini therefore had to change his birthday for
his papal election in 1458 and chose a "horoscopically
extraordinarily favorable day, October 18, 1405, at
sunrise at 6:49 AM" with two "classic lucky
constellations": "Venus-Jupiter trine and Sun-Saturn
trine, as well as Mercury and Venus in conjunction. It
couldn't get any better." (p. 60)
[Normal Jesus Fantasy "Christianity" is rejecting any
astrology - but just the popes are relying on it - one
more proof that Vatican is from the Devil].
-- The birthplace, however, was a small village called "
Corsignano"
in Tuscany, which was then further improved: As Pope, he
had beautiful buildings constructed there and had the
village declared a city,
Pienza, with a
bishop's seat in 1463 - voilà, at least that was a change
initiative that everyone could follow (p. 60)
-- Even today, Pienza (perhaps from "pius" = "pious")
shines with its Jesus Fantasy cathedral, the bishop's
palace, the town hall, and the Piccolomini Palace
(palazzo), which he [allegedly] designed himself (p. 60)
-- His first name was
Aeneas Silvius (Enea
Silvio Bartolomeo (de’) Piccolomini [web17]), and oddly
enough, FAKE
Virgil already mentions an
Aeneas - isn't that funny? Quote: Sum pius Aeneas = "I am
Aeneas, the pious..." (p. 60)
-- And in his coat of arms, he wove in a prophecy for his
nephew, who was also to become a pope (Pius III., pope for
26 days) (p. 60)
-- Pius II. not at all "Pius" invented a predecessor "
Pius
I." (142-157, a FAKE martyr and FAKE saint)
and was writing FAKE letters in his FAKE name; the forgery
has been recognized by Catholic theologians (p. 60).
-- In his writings and buildings, Pius II. was enthused
about the
number "9", which is considered a
'holy number' in numerology [the ball up: points to the
heavenly kingdom, while the "6" with the ball down points
to the underworld/hell] (p. 60)
-- On New Year's Eve of 1463/1464, Pius II did conclude
his
biography not in a 'pious' manner,
similar to a FAKE Gallic War by a FAKE Caesar, describing
the 'noble origin' of his family "
Piccolomini"
from
Rome, which then supposedly moved to
Tuscany
- thus the autobiography is full of "embellishments and
forgeries" (p. 60)
-- Another fact is his manipulative work in the Vatican
against the decisions of the Basel Council, so that with
the "
Concordat of Vienna of 1448" the
autonomy of the German church was lost again (p. 60-61)
-- 10 years later he himself became a "Pope" (p. 61)
The small church (Italian: "pieve") of Corsignano - the
alleged baptismal church of Pius II.
-- The small church of Pieve below Pienza, where he was
baptized, has peculiar sculptures featuring serpent
monsters and "vermin" (p. 61). WHAT is fact now?
See photos of this little church at Mossad Wikipedia:
https://fr.wikipedia.org/wiki/Pieve_di_Corsignano
And on one church door, one can see intertwined circles
(serpent-like) combined with bent measuring rods and small
animals within the circles, at the top right a lion and on
the left a horse, on the crossbar 3 riders (holy 3 fantasy
kings) and the scene in a house (in a fantasy stable).
Photo from Mossad Wikipedia:
https://upload.wikimedia.org/wikipedia/commons/e/e7/Pieve_di_Corsignano_1.jpg
At the other church door, you can see plant reliefs,
mermaids, and what stands out are 4 stone goats at the
corners of the columns.
Photo by Mossad Wikipedia:
https://upload.wikimedia.org/wikipedia/commons/4/4e/Pieve_di_Corsignano2.JPG
Above the second entrance is a double window, and its
central column is depicted as an elevated woman ("Great
Mother") (p. 61).
Photo by Mossad Wikipedia:
https://upload.wikimedia.org/wikipedia/commons/6/60/Pieve_di_Corsignano.JPG
The columns in the church are said to carry "snakes and
old pagan symbols" (p. 61).
I cannot see snakes
https://upload.wikimedia.org/wikipedia/commons/d/d7/Pieve_vito_e_modesto_interno.jpg
but a sun is engraved on a pedestal:
https://upload.wikimedia.org/wikipedia/commons/1/18/Interieur_de_l'%C3%A9glise_de_la_pieve_di_Corsignano.jpg
Uwe Topper concludes: This building is hardly recognizable
as a church, if there weren't the 3 kings (p. 61)
[In other words: This building was probably also used for
OTHER religions, for nature religions of the Italian
indigenous people].
Other small churches in Tuscany
-- There are hundreds of such small churches in Tuscany
with a layout and decoration of the "UNchristian kind"
(cults of nature religions or indigenous peoples) (p.61)
-- these buildings seem to have been built [for cultures
of before] (p. 61).
[Grosse Fotos sind in diesem Fall leider nicht
auffindbar].
Pope Pius II as a WORLD forger - and the old churches
were only partially "redesigned"
-- He had world history forged and published his action, a
"redesign of world history on a grand scale" (p. 61)
-- Apparently he forgot the small churches of Italy (the
"pievi") (p. 61)
-- Even some large churches in Tuscany have an
"unchristian shape", such as "in San Chirico, where, apart
from modern additions, nothing suggests the Catholic
character of the building" but there are "monsters and
mythical creatures" (p. 61)
-- Linking the mythical creatures to the FAKE Revelation
of FAKE John is "far-fetched" (p. 61).
[Unfortunately, large photos are not available in this
case].
-- The churches also contain works of art from the FAKE
Antiquity, "Roman gems", which are crafted in exactly the
same form as in the Catholic "Christianity", "as if only a
few generations had passed between the Roman Antiquity and
the Catholic Christianity of the 15th century". (p. 62)
4.5.C. Antonio
de Guevara am Hof von Karl V. - ein
"humanistischer" Geschichtserfinder - der Gipfel
mit einem FAKE-Marc Aurel
[Ergänzung: Die Bevölkerung in
Spanien amüsiert sich und staunt - gleichzeitig
läuft der spanische Kolonialismus mit
Völkermorden+Versklavung ab
ab 1539:
Antonio de Guevara nach dem Königshof - ein
falsches Vorbild
Die
Lügen-Clown-Figur des Antonio de Guevara
wird übersetzt - und nachgeahmt -
Beispiele
4.5.D. Die FAKE-Tagebücher des Marc
Aurel
Lügen-Nachahmer: "Humanist" Michael
Schütz will ein "Tagebuch von Marc
Aurel" erfinden
Lügen-Nachahmer:
Da kommen Bücher zum Drucker Conrad
Gesner in Zürich mit dem "Tagebuch von
Marc Aurel"
Der FAKE-Marc
Aurel (Marcus Aurelius Antoninus)
und die Wirkung des FAKE-Tagebuchs
von FAKE-Marc Aurel
4.5.E. Leute im Widerstand gegen
die Lügenwelle bekommen
"Schwierigkeiten": Wahrheitswisser
und Logiker
4.5.A. Die moralischen Fürstenspiegel der Könige und
Fürsten für ihre Söhne - und ihre Fälschungen
Fakers 4.5. [The invented] Marcus
Aurelius, the Christian Emperor
Charles V and the Mirror of Princes by
Antonio de Guevara -- the FAKE diaries of a FAKE Marcus
Aurelius by forger Michael Schütz
4.5.A. The moral mirror of princes for kings and
princes for their sons - and their forgeries
4.5.B. The Mirror of Princes for Charles V: The
"Sundial of Princes" (orig. Span.: "Reloj de príncipes")
4.5.C. Antonio de Guevara at the court of Charles V
- a "humanistic" historian - the pinnacle with a FAKE
Marcus Aurelius[Note: The population in Spain is amused
and astonished - at the same time, Spanish colonialism
with genocides + enslavement is ongoingfrom 1539:
Antonio de Guevara at the royal court - a false role
modelThe lying clown figure of Antonio de Guevara is
translated - and imitated - examples.
4.5.D. The FAKE Diaries of Marc AureliusLying
imitator: "Humanist" Michael Schütz wants to invent a
"Diary of Marc Aurelius"Lying imitator: Books are coming
to the printer Conrad Gesner in Zurich with the "Diary
of Marc Aurelius"The FAKE Marc Aurelius (Marcus Aurelius
Antoninus) and the effect of the FAKE diary of FAKE Marc
Aurelius
4.5.E. People in resistance against the wave of
lies are facing "difficulties": truth-knowers and
logicians
4.5.A. The moral mirrors of princes for kings and
princes for their sons - and their forgeries
-- The "princes' mirrors" are moral booklets of kings and
princes for their sons describing virtues, duties, and
principles of proper governance. "Most princely mirrors
originate from the Middle Ages and the Early Modern
Period, but there were precursors in antiquity and, for
example, an independent development in Byzantium." [web19]
-- With educational effect and moral benchmarks for the
nobles and educated, addressed to the respective heir to
the throne (p.62)
-- These Princes' Mirrors are idealizing the governance,
and are depicting aklso real events and conditions of
their time (p.62)
[And now one can imagine that 1) this was all only theory
because the "Nobles" behave always as they want - and 2)
the contents of these "princes' mirrors" also contained
forgeries].
-- The most famous "prince's mirror" is that of
Petrarch
(Petrarca) (p.62)
-- In
Byzantium and Persia, they exist from
the 11th/12th century (p.62)
-- Princes' mirrors were intentionally "projected back
into earlier epochs" in order to be considered as a "
model
of the ancestors" in order to "hold up a
mirror to the present generation" (p.62)
-- Because the father alone has no high authority, but the
authority is with the dead who are never considered to
have weaknesses (p.62)
4.5.B. The Mirror for Princes for Charles V.: The
'Sundial of Princes' (orig. Spanish: 'Reloj de
príncipes')
--
Emperor Charles V (HRR - in the "Holy
Roman Empire" 1500-1558 [web20]) received such a "Mirror
for Princes" from the Jesus-fantasy cleric Antonio de
Guevara, who allegedly took 6 years to write it ("written
1518 to 1524") and named the work "
Sundial of
Princes" (Spanish: "Reloj de príncipes")
(p.62)
-- This "sundial" for the empire where the sun never sets
is the "greatest literary fiction of history" with
biographical details from the life of the emperor, was
translated throughout Europe, had the highest print runs
like no work before it, and is also called the "Bestseller
of the Renaissance" (p.62)

Antonio de Guevara: Mirror for
Princes in English "Diall of Princes" (p.66) [chap4
photo2]
4.5.C. Antonio de Guevara at the Court of Charles V - a
"humanistic" history fabricator - the peak with a
FAKE-Marc Aurelius
--
Antonio de Guevara (1480-1545), the
author, was already at the Catholic-Spanish court (at
Isabel and Ferdinand of Castile) from the age of 12 [from
1492], during which the final destruction of
the Muslim territories on the Iberian Peninsula was taking
place (p.62) and he remained at court until
1538
(p.63)
-- During this time, colonialism began with Columbus, and
around 1504 he became a "Franciscan monk" - in 1521,
Charles V believed he needed a Jesus Fantasy preacher and
appointed Guevara to his court for this purpose - from
1527 he also became the "official chronicler" at court -
in 1528 his mirror for princes "Sundial" for Charles V was
published - Guevara accompanied Emperor Charles V on all
his travels, even on the expedition to Tunis in 1535 - in
total, he was Karl V.'s "advisor" for 18 years, also
served as a diplomat, was "inquisitor and peacemaker,
personally baptized 27,000 Muslims [Berbers?] in
Andalusia," ran his own printing press, "supplied
hospitals and schools," loved writing and was a pioneer of
the "modern novel" - in 1538 he resigned from his position
at court (p. 63).
-- "Guevara was one of the most important men of his time;
he held two bishoprics in succession and was regarded as a
great role model by the humanists." (p.63)
-- The FAKE novel by Antonio de Guevara "
The Golden
Book of Marcus Aurelius Severus" was a great
success, total Fantasy that was considered truth at the
time - the FAKE sources were perhaps the Suda literary
lexicon from Byzantium and FAKE letters from Marcus
Aurelius - the novel was controlled and approved by
Emperor Charles V. (p.63) - meaning: Antonio de Guevara
established himself as a history creator like the other
"humanists," but with a bit of "humor" mixed in - with
"imperial blessing" (p.63-64).
[Addition: The population in Spain amuses themselves
and marvels - at the same time, Spanish colonialism is
ongoing with genocides and enslavement
The people in Spain were thus kept entertained with FAKE
history and FAKE novels while the Jesus-fantasy
"Christians" committed their massacres on other
continents. The people in Spain were thus kept entertained
with FAKE history and FAKE novels, while the Jesus fantasy
'Christians' carried out their massacres and genocides
against the indigenous cultures on other continents and
committed mass theft with gold and silver mines, etc.,
first in the Caribbean, then in Mexico, then up to Peru
and Chile - without giving anything back to the indigenous
people, but rather, high taxes were demanded from the
indigenous peoples, and the 'Christians' robbed them of
almost all their land (
Link
1 - Link
2 - Link
3).
The nice "Christians" extorted the indigenous people into
slavery and into the mines, which often collapsed and
caused mass murder of men. The living conditions were so
cruel that the population of the indigenous people even
DECREASED, and only when this was reported to the court in
Madrid in 1748 by Uolla and Juan in their report did the
royal court react. This
FACADE, to
cover
up colonial CRIMES, seemed also to be a
function of "humanism" and the "Renaissance" - to create a
FACADE with "
beautiful" FAKE "literature",
for that the new printing press was now good enough. In
the meantime, the Emperor or king in Madrid - regardless
of which - had NO overview of what was happening in the
"colonies" in terms of genocide and enslavement. He
controlled NOTHING, he never went to "America", but only
looked at numbers reported by the colonial administration
from Seville: So
much silver was robbed from Mexico
and Peru (for example at Potosí) that the
price of silver collapsed worldwide. Charles V used the
colonial profits for his
wars in Europe -
he was a total racist like everyone at all European royal
courts - those who have weapons can do what they want,
approved by the Fantasy god - understanding of culture and
natural history did NOT come to "Christian" murder-Europe
with the "humanists" but only from the 19th century with
Alexander
von Humboldt (1769-1859 -
link)
etc. The "humanists" were therefore NOT - or rather
the
term "humanist" is wrong, perhaps on purpose?
"Humanists" were "
history inventors" and
protectors
of colonialism: They COVERED with their
amusing Fantasy works the "Christian" genocide
colonialism. That would be the exact formulation and
description for the "humanists"...]
[We continue with Topper about Antonio de Guevara
entertainint the Spanish population with Fantasy FAKES
from the imperial court]:
-- Antonio de Guevara published the FAKE "
Family
Letters" of the Emperor in 1539 and 1542 (2
volumes), which was once again a "huge success" across
Europe (p. 64) - stylistically oriented toward the FAKE
Cicero, they were pure FANTASY, written to the dead,
containing "impossible events and timelines" (!) (p. 64)
-- Guevara's boldest lie was that he had "found" a
manuscript
of the FAKE Emperor Marcus Aurelius in the
library of Cosimo de' Medici in Florence - the criticisms
of being a "liar and forger" did not silence the lying
Antonio; he simply continued as before (p. 64)
-- Antonio de Guevara also forged epitaphs (texts of
gravestones) and other documents in his works of fantasy
(p. 64)
-- There are more books from his side as, for example,
"The Art of Navigation" or "The Decade of the Caesars,"
which were only recognized as FAKES after a long time (p.
64)
-- Criticism came, for example, from the "Humanist" Mr.
Pedro
de Rhua in the year 1540 in three letters
appealing for "absolute honesty" to prevail in "such
treatises" - but Guevara only responded "contemptuously
and ironically", stating that he himself only believed in
the FAKE Bible and that his works were just only Fantasy -
and that was allowed (!) (p. 64)
-- The great masses uncritically loved his Fantasy, they
considered him "an exceptionally clever mind", Guevara's
fiction novels became a "standard of European poetry", and
critics were dismissed as "grumpy" (p. 64)
[and Karl V. seemingly didn't care about any of this].
from 1539: Antonio de Guevara at the royal court - a
false role model
-- The clown
Antonio de Guevara allowed
himself to publish a book in 1539 titled "Contempt for the
Court and Praise of Simple Country Life," modeled after
the FAKE-Horace, a fantasy created by a clown with
"brilliant rhetoric" (p.64)
-- The subject of honoring the clown Guevara has been
preserved in Spain to this day (as of 2000), as can be
read in Spanish lexicons. Descriptions include
"genius writer"
"educated"
"parody of Humanism"
"capable" (p.64)"
"enriched the vernacular (popular) language [...]"
(p.64-65)
"intelligent and educated"
"[The Emperor] Charles [V] himself supported him in this"
(p.65)
The lying clown figure of Antonio de Guevara is
translated - and copied - examples
-- Antonio de Guevara became a model, was translated, and
is now also copied (p. 65)
[-- The art of humorous lying was thus imitated - where
does this lead to? To the denial of reality and the
tolerance of genocide colonialism - those who speak about
the truth are seen as "killjoys" and "spoilsports" - and
exactly THAT seems to have been intended]
-- Translations include, for example, in English "Golden
Boke" (about Marcus Aurelius) from 1535, as well as the
prince's mirror "Sun Dial" somewhat shortened under the
title "The Diall of Princes" from 1557 (p. 65)
-- The critics in Europe did take certain data from
Guevara seriously, namely his claims about the FAKE
Emperor Severus regarding his ancestry, private teachers,
and friends were regarded as "historical" and "became a
standard of facts of the wisest of all Roman [FAKE]
emperors, [FAKE] Marcus Aurelius, into historiography" (p.
65)
4.5.D. The FAKE Diaries of FAKE Marcus Aurelius
Liar-Imitators: "Humanist" Michael Schütz wants to
invent a "Diary of Marcus Aurelius"
--
Michael Schütz (*Sterzing (South Tyrol)
1514, died in Hagenau (Lorraine) 1581 - poet and medical
physician [web21]) was a "humanist and adventurer", called
himself in a Greek manner "
Toxita", claimed
that in the library of Elector Ottheinrich of the
Palatinate (Kurpfalz on the Rhine between Lorraine and
Frankfurt [web22])
he had "received" a
Greek FANTASY manuscript which contained a
FANTASY copy of the "real diary of [FANTASY] Marcus
Aurelius" (p. 65)
-- "Unfortunately, this manuscript also contained a life
of Proclus by Marino [cannot be found], thus a humanistic
work, and therefore the authenticity of the manuscript
falls into the void." (p. 65)
Liar-Imitators: Here come books to the printer Mr.
Conrad Gesner in Zurich with the INVENTED "Diary of
Marcus Aurelius"
-- In 1945, printer Mr. Conrad Gesner in
Zurich (1516-1565) received "a book by Marcus Aurelius",
but was critical enough not to have it printed, as he
recognized it as a forgery himself. (p.65 - Willy
Theiler: Emperor Marcus Aurelius - 3rd edition 1984)
[Addition: Conrad Gesner
Conrad Gesner was "a Swiss medical physician,
naturalist, classical philologist, humanist, polymath,
and encyclopedist. His pseudonym was Euonymus Philiater,
and his official botanical author abbreviation is
"Gesner"." [web23] [There is no indication in the
article of Mossad Wikipedia that he was also a printer].
[And he also liked to pass on lies so that the lies of
others could be printed]:
-- Conrad Gesner also received the book from
Michael
Schütz (Michael Toxita) with the
FAKE
diary of a "Marc Aurelius", passed it on to
his brother Andreas Gesner, and he made something out of
it: He added more Latin translations to the book (Wilhelm
Holzmann (Xylander) from Augsburg as well as Proclus of
Marino 1559) - and so the book with the FAKE diary of
Marcus Aurelius became a "
bestseller without end
(perennial favorite)" - in 1568 it was
published for the second time in Basel, and "the
original codex had already disappeared at that time. But
in the Vatican there are supposed to be excerpts of
parallel texts ("14th century"). (p.65)
-- It seems strange that the FAKE diary or the FAKE
letters of FAKE Marcus Aurelius had never been known
before (p.67)
-- The Aurelius FAKES were mentioned only by Augustine,
who had the overview of the lying works of the "humanists"
(see the book by Gleichen-Russwurm: Marcus Aurelius.
Self-Reflections, 1913, Introduction - orig .German: Marc
Aurel: Selbstbetrachtungen). (p.67, p.277), and more
quotes are in the works of the FAKE bishop Arethas of
Patras (10th century) (p.67)
The translations of the FAKE Marc Aurelius are often
incomplete because "impossible content" is omitted:
-- The criminal pedophilia with boys is omitted, which was
called "boy love" in those times... (p.67)
-- The denunciation of the "martyr addiction of the
Christians" (p.67)
-- The condemnation of witchcraft and superstition (p.67)
[while the Fantasy Jesus with Fantasy cross and Fantasy
dead body and alcoholism with "holy wine" for reducing the
brain is the worst superstition]
On the other hand, the honesty of writing about these
topics is praised by others, e.g. by Capelle (Carl
Capelle? 1841-1912, teacher, high school principal,
classical philologist, commentator on Fantasy Homer
[web24]). It is clear that these topics interested the
"humanists" and were previously always in the taboo area
(p.67).
The FAKE Marc Aurel (Marcus Aurelius Antoninus) and the
effect of the FAKE diary of FAKE-Marc Aurel
-- is said to have lived from April 26, 121, to March 17,
180 [to the exact day, of course] (p. 67)
-- is said to originate from a "Spanish family" and is
said to have been saved in 175 in a battle by his
"Christian legion" [which battle?] (p. 68)
-- is said to have prevented the "persecution of
Christians," although other sources state that FAKE Marc
Aurel actually continued the "persecution of Christians,"
for example in Lyon in the year 177 (p. 68)
-- FAKE letters from "Christians" to FAKE Marc Aurel are
cited, a FAKE Athenagoras warns of the "apocalyptic time"
(p. 68)
-- FAKE Marc Aurel is thus portrayed as a "nearly
Christian emperor," with a Fantasy god "in the singular"
(p. 68), [this was fitting well into the Christian terror
world with genocide colonialism starting in the 15th
century, when the Fantasy god gives the "Christians" the
right to divide the world and enslave it]
-- [But everything should be peaceful]: "The Christianized
pagan philosophy expressed by [FAKE] Marcus Aurelius [in
his FAKE diaries] knows only one world, one God, one
nature of all living beings, one matter, one law and one
reason." (p.68) [colonialism = reason - all right].
-- This FAKE Marcus Aurelius is becoming a new model for
peaceful and rational life in the masses of the people, "a
humanistically reformulated Jesus" with life contents of
the 16th century [i.e. an instruction for life for the
masses] (p.68)
-- The FAKE Marcus Aurelius allegedly died of the plague
[German: Pest - which is not recorded anywhere in the FAKE
Roman Empire] (p.68)
[-- The Latin and ancient Greek word for "plague" applies
to every plague [web25]]
-- The FAKE Marcus Aurelius is venerated with objects
which bear his FAKE name, deified to the maximum in
paintings and sculptures, e.g. in the cr. Vatican with a
FAKE bronze equestrian monument etc. etc. (p.68)
The FAKE Marc Aurel (Marcus Aurelius Antoninus) and the
FAKE letters in Latin to his FAKE teacher Fronto
-- These FAKE letters are "flamboyant and childish,”
hardly coming from a 25-year-old "philosopher" - are a
"curiosity of the forgery guild" (p. 68)
[-- Those who search for "Fronto" will find many
FAKE-Frontos - it is not clear which one is meant in
connection with FAKE Marc Aurel [web26]]
-- The style of language and thought is completely
different from the FAKE diary (p. 69)
-- However, classical studies continue to take them
seriously: "They [the FAKE letters to FAKE Fronto] are
often directly used for the purification of the (p.68)
Self-Reflections, although they are written in a
completely different style of language and thought and
cannot possibly come from the same person." (p. 69)
4.5.E. People in resistance against the wave of lies
face "difficulties": Truth seekers and logicians
-- Resistance came from people who recognized the
systematic falsifications and insisted on truth and logic,
facing difficulties (p. 69)
-- Resistance came from Mr.
Lorenzo Valla
(c.1406–1457, always in Rome, Italian humanist and [Jesus
Fantasy] canon [web27]), who uncovered several forgeries
and "got into great distress because of it" - in response,
he tried to secure the Latin FAKE Bible (FAKE Vulgate
[web28]) with the Greek FAKE original text of the FAKE
Bible, which then brought him new "protectors" [you should
pray and work and definitely not think, thus he fulfilled
the crazy Jesus Fantasy Vatican dictatorship again!] (p.
69)
-- According to Mr. Uwe Topper, Mr.
Poggio
was another source investigator who even learned Hebrew
for this purpose (p. 69)
Topper quote:
"Sharp critics had already begun to combat the general
proliferation of forger's workshops by the end of the 15th
century, fearing the loss of all standards. I will only
mention
Valla as the most famous, who
uncovered several forgeries and thus got into great
trouble. However, he attempted to secure the wording of
the New Testament in the Vulgate against the Greek
'original text,' which ultimately provided him with
powerful protectors.
Poggio even strived to
learn Hebrew, as he already suspected how important the
use of 'first-hand' sources would be. But this step was
only accomplished by the following generation." (69)
STRANGE:
According to Mossad Wikipedia,
Gianfrancesco Poggio,
in Latin: Poggius, 1380-1459 (Florence), was a
"re-discoverer" [thus possibly also a FORGER]. His
undeniable contribution to the world as "Apostolic [Jesus
Fanatasy] Secretary" is the development of the Latin
manner of writing: "Development of a clear, easily
readable script." [web11]
Fakers 4.6. The fundamentalist Mr. Erasmus
of Rotterdam
Translations of the FANTASY Bible by
Erasmus of Rotterdam - the precursor to Luther
4.6.A. Life dates of Mr. Erasmus of Rotterdam - he was
a fanatic of a Fantasy Jesus
-- Mr. Erasmus of Rotterdam is referred to as the "most
famous humanist" - born in 1466 or 1469 [in Rotterdam] -
lived in Paris from 1495 - wrote "in very good Latin" -
lived in England from 1499 - learned Greek and wrote
"rather decently" in Greek from 1502 (p. 69)
-- Erasmus was the author who in his work "The Praise of
Folly" (in Latin) glorified criminal people, selling
20,000 copies of it in 11 years (p. 69)
-- A significant source on Erasmus of Rotterdam is the
book by Mr.
Hans Freiherr von Camphausen
(ed.) (1991): "Take and Read! Christian Thinkers from Mr.
Origen to Mr. Erasmus of Rotterdam"; Stuttgart 1991 (p.
69, p. 276)
(orig. German:
"Nimm und lies!
Christliche Denker von Origenes bis Erasmus von
Rotterdam")
-- [Erasmus was NOT an Enlightenment thinker, but] he was
a Fantasy Jesus fanatic - he believed that the Fantasy
Jesus had already "guided the course of the world" before
his FAKE birth, and he fought against Jewish influences in
the FAKE Church (p. 69)
-- In 1516, he was "appointed as councilman" by Emperor
Charles V - created the "Hieronymus edition of the [Jesus
Fantasy] Bible in 9 volumes" - was the editor [FAKER?] of
"nine early Christian [FAKE] authors" - while doing so, he
"idealized an early Church", almost "romantically" [the
FAKE gnosis] (p. 69)
-- In 1516 he published a New Fantasy Testament in Greek
with a Latin translation, to assert himself against
Spanish competition [from Charles V?] of the Complutense
University of Madrid (1499 to 1836 in Alcalá [web29]) (p.
69-70)
[-- So the guy was totally LOST in his fantasy Jesus
madness]
-- The Fantasy NT contained a "foreword" claiming to have
"used many very old manuscripts" (p. 70), but:
Topper quote:
"But that is obviously a lie. He only had some young
copies at hand, which were also full of errors and gaps.
Whole groups of verses, such as the conclusion of the
Revelation, had to be "back-translated" from the Latin
Vulgate into Greek." (p. 70)
-- How he supposedly accomplished this work in half a year
is, until then (as of 2000), unexplained - it is more
likely that he used an already existing Greek and Latin
Jesus Fantasy Bible and only commented on it. (p. 70)
-- What Mr. Erasmus really did and is proven, is the new
shape of the Fantasy "Bible" ordering the work into
chapters and verses - and this became the new standard.
(p. 70)
-- Three years later, he published the Jesus Fantasy Bible
just one time again, now "with 400 improvements", which
was said to be used later by Luther for his translation
into German [the new standard: Luther German]. (p. 70)
[One can only shake the head at the waste of time with
these fantasies from FAKE OT and FAKE NT].
Theodor Beza with FAKE Bible
-- In Switzerland, it was Calvin's friend Mr.
Theodor
Beza (he died in 1604) who presented the Jesus
Fantasy Bible in Greek and Latin, claiming it originated
from the "5th century" - but it had the verse division
that was only invented by Erasmus - Beza's version
ultimately could not prevail (p. 70)
Theologians against Erasmus and Beza
-- The new mentality of reading the Jesus Fantasy Bible
and accepting "solely the [FAKE] Scripture" provoked
resistance among many Jesus Fantasy theologians, but the
new mentality of directly reading the FAKE words of the
fantasy God prevailed, and the FAKE Church had to accept
this - the old "Church Fathers" lost significance (p. 70)
Forger 4.7. [England: The Fantasy] King
Arthur is historically
A. FAKE Bible and its "versions" -- B. The
INVENTED King Arthur of England with historian Geoffrey
Ashe, who defends Fantasy as "inspiration"
4.7.A. FAKE Bible with the FAKE OT - always new
versions
A
ccording to many theologians, the
Old Moses Fantasy Testament of Judaism in Palestine
is a "colorful mixture" of false memories, fairy
tales, anecdotes, and sayings, as well as propaganda and
distorted daily topics (p.71). This is not a singular
opinion, but a standard, e.g.
-- with Mr.
David Strauss around 1850
(1808-1874, always Ludwigsburg, German writer,
philosopher, Protestant [Jesus Fantasy] theologian
[web30])-
-- with Mr.
Wellhausen (Gerhard August
Julius Wellhausen (1808–1861), Protestant Lutheran [Jesus
Fantasy] theologian, pastor, and cantor [web31]) and his
circle of friends
-- with Mr.
Delitzsch 1910 (for the name
Delitzsch, two [Jesus Fantasy] theologians are listed,
both of whom died before 1900 [web32])
-- The FAKE AT was partly tampered with and reshaped even
2000 years after the alleged events (p. 71)
-- Sometimes the Fantasy AT may contain "solid literature"
and morally insightful processes of "timeless validity"
(p. 71)
-- However, concerning the "historical truth content of
the Bible", the following counts: "It is equal to zero"
(p. 71) [the events are INVENTED]
-- All the scenes in Palestine are false, including the
"'apocryphal" Maccabees books, which possibly depict
battles up to the year 1000 in Palestine and were then
"retroactively placed" (p. 71)
-- Some Jesus Fantasy story researchers passionately
believe that the book "And the Bible is just Right" (orig.
German: "Und die Bibel hat doch recht" - book by Keller)
is relevant and even publish a book with this title
establishing "appropriate cross-connections" that often
turn out to be no evidence at all, because EVERYTHING IS
FORGED, which the religious extremists refuse to
acknowledge (p.71)
-- The belief in "the Greeks" is another example of
superstition with legends, but evidence is lacking, such
as archways with "Troy" on them or text plates with a FAKE
Homer, which actually date back to 1200 BC (p.71, [web33])
-- The same mechanism today (as of 2000) is the search for
an "Atlantis" - every new book with a new Atlantis claim
sells well (p.71)
[Question: Why do the "Christians" still print the
FAKE OT?
It raises the question of why this FAKE OT is still
published together with the FAKE NT when many
"'theologians" believe that only the "New Testament"
should be "correct". The criminal "Christian"
theologians are abusing the FAKE Old Testament to always
have a "negative example", but if all of that is forged,
then every argument there is also incorrect and USELESS.
It shows that the "theologians" are not more
intelligent...]
4.7.B. The Fantasy King Arthur of England (Artus)
[Summary:
According to Mossad Wikipedia, "King Arthur" is a
legendary figure from the FAKE "Middle Ages", appearing in
various contexts and meanings - supposedly lived in
Britain in South England, which had been occupied by FAKE
Rome - British FAKE chronicles claim successful defensive
FAKE wars under FAKE Arthur against FAKE attacks from
continental Europe around the year 500 AD (Angles, Jutes,
and Saxons) starting in the 9th century - from the 12th
century, this defense story is adopted into the "courtly
literature of Central Europe", embellished and brought
into "classic form" [Mossad Wikipedia - web34]
The FAKE "King Arthur" for England - as a counterpoint
to the German-French FAKE "Charlemagne"
-- One can also see how such a myth is created with the
FAKE King Arthur (p. 71)
-- Some historians consider King Arthur to be a
"historical figure of the 5th century", for example in the
book by English historian
Geoffrey Ashe
(1923-2022 [web35]): King Arthur. The Discovery of Avalon
(Düsseldorf 1986) (pp. 71, 275)
-- However, the first mentions of a "King Arthur" only
appear in FAKE novels starting in 1130, where "King
Arthur" is placed among the Goths, Huns, and Vandals
during the "Migration Period" and has since been
"exercising historical function" (pp. 71-72)
-- "King Arthur" is the INVENTION of an English heroic
figure as a parallel to the FAKE Charlemagne in Germany
and France, and he was also attributed a bit of
imperialism with the occupation of Brittany and parts of
France up to Burgundy, in the style of a "Germanic
warlord", authorized by a "Roman [FANTASY] emperor"
(p.72).
-- Historian Mr.
Ashe ultimately places
"King Arthur" in the 5th century to fit the setting, using
novels from the 12th and 13th centuries as "sources" - and
thus Mr. Ashe betrays his own scholarly rigor - but the
aim is achieved: "King Arthur" has become a "historical
figure" - the "wished king of the knightly era" has
finally become real, the first great FAKE king of England
after FAKE Antiquity (p. 72).
Details:
-- A FAKE Godfrey from Monmouth (in Wales [web36])
INVENTED a story of the INVENTED kings of Britain,
allegedly published in 1136 (p. 72)
-- The original has DISAPPEARED of course, and the story
exists only in a "later revised version" (p. 72)
-- Historian Geoffrey Ashe (1923-2022 [web35]) assumes
that the FAKE Gottfried from Monmouth had also been the
"reviser" (p. 72)
-- The FAKE Arthur is prominently mentioned in this
Fantasy story, all kings before and after him are
"smaller" (p. 72)
-- The FAKE kings of England begin at the time of the
"fall of Troy [fantasy]" - in the 12th century, this
Fantasy was a "fixed point" among historians (p. 72)
-- The Fantasy fall of Troy is said to have occurred
around 1150 before Fantasy Christ - and Godfrey is
supposed to have written his work around 1150 after
Fantasy Christ - the Fantasy Jesus is to stand as the
"axis and center of the temporal world" (p. 73)
The FAKE Gottfried is reporting us that:
-- The FAKE
Aeneas emigrated to Italy (p.
73)
-- The FAKE great-grandson of FAKE Aeneas,
Brutus,
moved to England, cleared it of giants, populated it, and
named the island after himself - he founded "New Troy" on
the Thames, which later became London (p. 73)
-- Now
75 FAKE-kings are said to have ruled
England - "with names and deeds" -- "the finest tapestry
of legends" (p. 73)
-- Historian Mr.
Ashe comments: "Almost all
of them were products of his imagination [...] (quoted
from the German translation by H. Stadler, p. 17)' (p. 73)
-- "Also, a flying
Wieland or
Daedalus,
here called
Bladud, is not missing. He
crashed over New Troy." (p. 73)
-- The FAKE Bladud had a FAKE son King
Lear,
who reigned in the 8th century before Fantasy Jesus (p.
73)
-- There are used "well-known legendary figures" and
original, mostly "speaking" names, embodying the
attributed characteristics, as is often the case in such
poetry (p. 73)
-- The Fantasy tales therefore confirm each other (p.73)
-- The fantasy dog of Fantasy Arthur is referred to as "
Cabal",
alluding to "
Cerberus" - in accordance with
the sound laws concerning the R-L development (p.73)
-- One could expect that Gottfried would also invent
stories about the Fantasy Romans with
Caesar,
Claudius, and Trajan, but he does not:
According to Gottfried, "the conquest of England by the
Romans did not take place at all [...] as the ruling kings
of England paid their tribute to the [Roman fantasy]
Emperor willingly" (p.74)
-- Thus, the Fantasy Gottfried denies the Fantasy Romans
any "civilizing work" in England (!) (p.74) [because Celts
had a good civilization, Romans were not needed]
-- Historian Mr.
Ashe, on the other hand,
is going on telling that there had been a Fantasy
occupation by the Fantasy Romans (p.74)
-- Mr. Fantasy
Gottfried then presents the
traditional assessment of the different peoples: Catholics
are the "good ones" [killing around committing genocides
all over the world], and all peoples of other faiths are
"heathens" and thus "barbarians" (p.74)
[We know exactly who the barbarians are: the people of
Christian colonialism and those of Christian NATO with
their genocides].
Topper quote:
"Now comes the Catholic rating [of naive historian Mr.
Ashe]: All pagans should be barbarians, thus
Picts,
Scots, and Saxons; and all
Celts
should be Christians [the "good ones"]. Well, there are NO
findings about any [Jesus Fantasy] Christianity in England
for the 5th century, and Mr. Ashe knows this, but he goes
on to tell that there had been [Jesus Fantasy]
Christianism in this period. Because: It is substantiated
by written [FAKE] sources." (p.74)
"Written sources" can be forged by anyone - clearly:
-- There is the indication that a [Jesus Fantasy]
"Archbishop of London" in the 4th century was in danger
and had organized troups from Brittany (Bretagne) against
"pagans in England" (p.74)
-- Not only that, but also any "kinship of the Bretons
with the Britons" is only INVENTED (p.74)
Topper quote:
"A [Jesus Fantasy] Archbishop of London in the 4th century
seeks reinforcements from Brittany against the pagans in
England. The constructed kinship of the Bretons with the
Britons is indeed a well-known motif to this day." (p.74)
In detail, it looks like this:
-- A brother of the King of Brittany - a "
Constantine"
(!) - moves to England - his son helps to defeat the
"barbarians" and is Fantasy crowned in the year 407 as
Fantasy King of England - his Fantasy son is Fantasy
Arthur (p. 74)
-- The
Fantasy coronation of 407 takes
place in the same year as the victory of the Visigoths in
Spain against the Roman Fantasy Empire - there is no
mention of bloodshed (p. 74)
Topper quote:
"
Constantine, a [Fantasy] brother of the
Breton [Fantasy] king, moves to England, whose son
triumphs over the [Fantasy] barbarians and is crowned for
being a [Fantasy] king, precisely in the year 407, in
which — Godfried surely knew this from Isidore — the
Visigoths moved from the Rhine into Spain and robbed the
[Fantasy] Romans of these provinces. The historian's
revenge is sweet, because all this happens without any
bloodshed. The [Fantasy] son of this [Fantasy] barbarian
conqueror is [Fantasy]
Arthur. If
everything up to this point was invented, then we are now
in the midst of the historicity." (p. 74)
Fantasy sources for the Fantasy Arthur: Jesus Fantasy
bishop of Clermont Sidonius Apollonius (Fantasy) - with
Jesus Fantasy abbot Faustus (another Fantasy) - 2
"writers"
-- Historian
Geoffrey Ashe tells us that a
Fantasy bishop of
Clermont (
Sidonius
Apollonius, bishop since 470) could serve as a
source (!), this bishop made a career as a "saint" and as
a "writer" - after all, he was a "contemporary of
[Fantasy]
Arthur" - he was indeed a
"[Fantasy] eyewitness of his great [Fantasy] deeds" (p.
75)
--
Sidonius is said to have been the
Fantasy son-in-law of the western Roman Fantasy emperor -
and is said to have had "[a Fantasy] correspondence with
many [Fantasy] people," including the Jesus Fantasy abbot
[Fantasy]
Faustus in southern France, also
a Fantasy "writer" (p. 75)
-- Historian
Ashe notes about the works of
Fantasy Sidonius: "Some books written by him have survived
(Book:
The Discovery of King Arthur 1986,
p. 66) (p. 75)
-- Topper clearly says about the Fantasy works of Sidonius
that "only three poems and nine volumes of letters in
pompous and tasteless style have survived, and these were
probably written only in the Renaissance" (p.75)
-- A cr. poet of the Renaissance wrote Fantasy letters for
Sidonius, with "gigantic ostentation" and invented scenes:
a man is stealing a book and was chased for that, the
saved book is dictated to several scribes, etc." (p.75)
Fantasy sources for Fantasy Arthur: Fantasy Nennius
(800-820 [?]) - Fantasy Gildas (before 800) - Fantasy
Cambria (around 900)
-- A Fantasy
Nennius supposedly lived to be
only 20 years old and is said to have authored a "History
of the Britons" (p. 75)
-- A Fantasy
Gildas is invented by a
Fantasy Nennius (p. 75)
-- A Fantasy
Cambria is invented with
Fantasy Annals around 900 "a century later" (p. 75)
-- They have one thing in common: "They are all full of
horror stories" (p. 75)
-- Fantasy Arthur is referred to in these works as "the
soldier" and never as a "king" or even as "ameradeur,"
in French this word is similar to "maraudeur," meaning
"highwayman, robber" (p. 75)
-- Historian Mr. Geoffrey Ashe lets his Fantasy play
claiming that this word would be "a distortion of
IMPERATOR", "emperor" (p. 75 - Book:
The
Discovery of King Arthur 1985: p. 94)
Fantasy sources for the Fantasy Arthur: there is a FAKE
exchange of enemy images - "fiction" is said to be
"inspiration" (?!)
-- And if the Fantasy really seems unlikely, historian Mr.
Ashe has another "interpretation" in store: then the
"enemy
images" are simply exchanged (p.75).
Topper quote:
"But when there are too many contradictions, Mr. Ashe has
the idea to
exchange the enemy images is
not unknown in heroic literature when history demands it."
(p.75)
Example "Song of Roland":
-- Such an exchange of enemy images occurs, for example,
with the Fantasy Roland Song, the paladin (high noble man)
of Fantasy Charlemagne, where the Basques suddenly become
Saracens (p.75 - Book:
The Discovery
of King Arthur, German version, p.121)
-- Also here, ALL is JUST A LIE and INVENTED, "because
Roland
and Charlemagne's Pyrenean campaign are
Romance novels of the 12th century being used for
manipulating the fighting spirit (p.75) of knights against
Saracen enemies. That is the only fact that a scholar can
have as an interpretation from the Song of Roland." (p.76)
Fantasy sources for the Fantasy Arthur: The Fantasy
Arthur is sometimes also a Fantasy Riothamus
-- Historian Mr. Ashe quietly admits elsewhere that the
story is "
fiction", but the Fantasy Arthur
with his "Gallic adventures" is still a reminder of the
Fantasy
Riothamus, and thus the "source of
this
inspiration is beyond doubt, even if
Geoffrey (for example Godfrey) is manipulating the facts,
is exaggerating the facts, is distorting the facts." (p.76
- Book:
The Discovery of King Arthur,
German version, p. 120).
-- Thus, INVENTIONS are regarded as "facts" in an
arbitrary chronology - as an "inspiration" - THIS is
"English history" according to historian Ashe (p.76)
-- Historian Ashe cites, for example, a
Sharon
Turner, who describes a Fantasy expedition of
a Fantasy King
Riothamus: With
12,000 soldiers
[code 12, the dozen, the "perfect" number] he is said to
have rushed to help the Fantasy Emperor of Fantasy West
Rome - not only that:
Riothamus is said to be
Arthur (p.76).
Topper quote:
"Thus, he [historian Ashe] also uses a certain
Sharon
Turner, who describes an expedition of King
Riothamus, who rushes to help the emperor of the Western
Roman Empire in Gaul with
12,000 soldiers
[Code 12=a dozen] in his "groundbreaking work of
scholarship" (Book: King Arthur, German version: p. 123).
Turner equates Riothamus with King Arthur, and for Ashe,
this becomes the basis of his thesis, although the highly
learned Mr. Turner places Arthur in a much later time."
(p. 76)
-- However, the imaginary
Riothamus must
have existed, which is confirmed by the imaginary letter
of the imaginary Sidonius, according to Topper an
"absolutely childish fiction" (p. 76)
Topper quote:
"The main [Fantasy] evidence for [Fantasy]
Riothamus,
the "illustrious [Fantasy] king", is that letter from
[Fantasy]
Sidonius, which in my opinion is
an absolutely childish fiction, more amusing than worth
investigating." (p. 76)
Topper's closing words on FAKE Arthur:
"At this point, I conclude my brief critique of Ashes'
book. I believe it has become clear how historians proceed
when they want to extract history from epics." (p. 76)